People

Dr Fiona Hughes

Senior Lecturer
School of Philosophy and Art History
Dr Fiona Hughes
  • Email

  • Telephone

    +44 (0) 1206 872718

  • Location

    5B.139, Colchester Campus

  • Academic support hours

    See office door

Profile

Biography

Fiona Hughes studied at Edinburgh as an undergraduate and at Tübingen, Germany (where she held the Stevenson Research Scholarship), and Merton College, Oxford as a graduate student. She was a Junior Research Fellow at Wolfson College, Oxford and lecturer at the universities of Edinburgh and York. She has written articles on Kant, Nietzsche and philosophical aesthetics.

Qualifications

  • MA Edinburgh

  • DPhil Oxford

Research and professional activities

Research interests

Phenomenology (French and German)

Open to supervise

Current research

The relationship between Kants epistemology and aesthetics

Merleau-Ponty`s development of Husserl`s phenomenology

Nietzsches critique of the foundations of value

The relationship between art and philosophy

Fiona is author of Kants Aesthetic Epistemology: Form and World (Edinburgh University Press) June 2007and The Reader's Guide to Kant's Critique of Judgement (Continuum Press) November 2009.

Liminality in philosophy and prehistoric art

Conferences and presentations

Kant and Contemporary Art

Invited presentation, Keynote presentation, online conference, 9/2020

Teaching and supervision

Current teaching responsibilities

  • Placement Year (CS703)

  • Skills for University Studies (CS711)

  • Beyond the BA: Skills for the Next Step (CS712)

  • Death, God and the Meaning of Life (PY113)

  • Existentialism and Phenomenology (PY454)

  • Kant's Revolution in Philosophy (PY500)

  • Final Year Dissertation Project (AR383)

  • Final Year Dissertation (CS831)

  • Curatorial Project (AR347)

  • Heritage Project (AR354)

  • Capstone - Art History / Curating / Heritage (AR382)

  • Dangerous Ideas: Essays and Manifestos as Social Criticism Capstone (CS301)

  • Philosophy Capstone Module (PY455)

Previous supervision

Cristobal Garibay Petersen
Cristobal Garibay Petersen
Thesis title: Kant on Time: Self-Affection and the Constitution of Objectivity in Transcendental Philosophy
Degree subject: Philosophy
Degree type: Doctor of Philosophy
Awarded date: 18/4/2018
Lorcan James Whitehead
Lorcan James Whitehead
Thesis title: Why Ambiguity Matters: Merleau-Ponty and the Integration of the Theoretical and the Practical
Degree subject: Philosophy
Degree type: Doctor of Philosophy
Awarded date: 29/6/2015

Publications

Journal articles (15)

Hughes, F., Kant’s Phenomenological Reduction?. Études Phénoménologiques. 22 (43), 163-192

Hughes, F., (2021). Relief and the Structure of Intentions in Late Palaeolithic Cave Art. The Journal of Aesthetics and Art Criticism. 79 (3), 285-300

Hughes, F., (2021). The Temporality of Contemporaneity and Contemporary Art: Kant, Kentridge and Cave Art as Elective Contemporaries. Kantian Review. 26 (4), 583-602

Hughes, F., (2017). Reversibility and chiasm: false equivalents? An alternative approach to understanding difference in Merleau-Ponty’s late philosophy. British Journal for the History of Philosophy. 25 (2), 356-379

Hughes, F., (2013). A Passivity Prior to Passive and Active: Merleau-Ponty's Re-reading of the Freudian Unconscious and Looking at Lascaux. Mind. 122 (486), 419-450

Hughes, F., (2009). Aesthetics and Cognition in Kant's Critical Philosophy edited by Rebecca Kukla. European Journal of Philosophy. 17 (3), 455-460

Hughes, F., (2006). Taste as Productive Mimesis. Journal of the British Society for Phenomenology. 37 (3), 308-326

Hughes, F., (2006). On Aesthetic Judgement and our Relation to Nature: Kant's Concept of Purposiveness. Inquiry. 49 (6), 547-572

Hughes, F., (2004). ‘Multi-media Culture and the Intersensorial: Critical potential in Merleau-Ponty and in Contemporary Art’ / `Multimedia-Kultur und das "Intersensorische". Kritisches Potenzial bei Maurice Merleau-Ponty und in aktuellen Kunstwerken',. bildklangwort. 1, 177-203

Hughes, F., (2004). Review of Malcolm Budd The Aesthetic Appreciation of Nature’. Notre Dame Philosophical Reviews

Hughes, F., (2002). Nietzsche's Janus Perceptions and the Construction of Values. Journal of the British Society for Phenomenology. 33 (2), 116-137

Hughes, F., (2001). `Nietzsche Contra Fukuyama: millenarianism and the end of the human?'. Concordia

Hughes, F., (2000). Nietzsche contra Fukuyama: Jahrtausendwende und das Ende des (Allzu)Menschlichen?. 4, 128-149

Hughes, F., (1998). Forgetful all too Forgetful: Nietzsche and the Question of Measure. Journal of the British Society for Phenomenology. 29 (3), 252-267

Hughes, F., (1995). Review of Kant's Lectures on Logic and Theoretical Writing 1755-1770 [new translation by Cambridge University Press]. Bulletin of the Hegel Society of Great Britain. 16 (2), 14-18

Books (2)

Hughes, F., (2009). Kant's 'Critique of Aesthetic Judgement' A Reader's Guide. Continuum Press. 9780826497673

Hughes, F., (2007). Kant's aesthetic epistemology: Form and world. Edinburgh University Press. 9780748621224

Book chapters (10)

Hughes, F., Analytic of the beautiful

Hughes, F., (2023). The playful negotiation of interests: Kant in conversation with Fried and Winnicott.. In: Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Philosophy. Editors: Berger, L., . de Gruyter. 9783110727548

Hughes, F., (2017). Feeling the Life of the Mind: Mere Judging, Feeling, and Judgment. In: The Palgrave Kant Handbook. Editors: Altman, MC., . Springer. 381- 405. 9781137546562

Hughes, F., (2014). Um potencial político no juízo estético reflexionante: Kant, Hannah Arendt e “Pequena esparta”, de Ian Hamilton Finlay [A political potential in aesthetic reflective judgement: Kant, Hannah Arendt and Ian Hamilton Finlay’s “Little Sparta”]. In: Gosto, interpretação e crítica. Vol. 1. Editors: Freitas, V., Duarte, R., Cecchinato, G. and Vieira da Silva, C., . Relicário. 77- 100. 978-85-66786-04-0

Hughes, F., (2013). Style in communication: The Hip Swing of Hélio Oiticica's Parangolés. In: Style in Theory: Between Literature and Philosophy. Editors: Callus, I., Corby, J. and Lauri-Lucente, G., . Continuum. 9781441128935

Hughes, F., (2011). Alan Montefiore’s Concern for the Paradoxical in the Human. In: Life and Philosophy: Essays to honour Alan Montefiore on his 85th Birthday. Editors: Audard-Montefiore, C. and Bunnin, N., . FEP Publishers. 75- 81. 978-0957081208

Hughes, F., (2008). The Liminal Bridge between Displacement and Aesthetics. In: Estéticas do Deslocamento: Discurso filosófico, Teoria Critica, Linguagens artísticas. Editors: Duarte, R. and Kangussu, I., . -

Hughes, F., (2001). The Aesthetic Space Between Mimesis and Expression [O Espaço Estética entre a Mímesis e a Expressão]. In: Mímesis E Expressão. Editors: Duarte, R. and Figueiredo, V., . Editora Universidade Federal de Minas Gerais. 49- 84

Hughes, F., (1999). Three Dimensions of Space in Kant's Aesthetics. In: Kant: Crítica e Estética na Modernidade. Editors: Pradilla Cerón, I. and Reiss, P., . São Paulo: Editora SENAC. 133- 168

Hughes, F., (1998). The Technic of Nature: What is Involved in Judging?. In: Kants Ästhetik / Kant's Aesthetics / L'esthétique de Kant. Editors: Parret, H., . DeGruyter. 176- 191. 9783110129304

Contact

fhughes@essex.ac.uk
+44 (0) 1206 872718

Location:

5B.139, Colchester Campus

Academic support hours:

See office door