Component

MA Public Opinion and Political Behaviour
BA Film Studies options

Year 2, Component 04

LT221-5-FY or Film Studies option(s)
HR270-5-AU
Sex, War and Class at the Movies: 1930-1960
(15 CREDITS)

You explore the relationship between cinema and society in Britain from the interwar depression, through the Second World War and the onset of affluence and mass-consumerism in the 1950s and 60s, to the rise of Thatcherism and the collapse of the 'post-war settlement'. You examine classes and cultures in relation to the lived history of the period, in order to track what they both reveal and conceal about the historical processes which transformed Britain during the 20th century.

LT204-5-AU
Criticism: Practice and Theory
(15 CREDITS)

How can texts be read and interpreted using the thinking of Marx? What about Freud or de Saussure? Or Derrida and Said? Study literature, theatre, and film using these key thinkers. Analyse their approaches both historically and institutionally, and understand the importance of theoretical and methodological material to your studies.

LT204-5-FY
Criticism: Practice and Theory
(30 CREDITS)

How can texts be read and interpreted using the thinking of Marx? What about Freud or de Saussure? Or Derrida and Said? Study literature, theatre, and film using these key thinkers. Analyse their approaches both historically and institutionally, and understand the importance of theoretical and methodological material to your studies.

LT205-5-SP
Creative Media
(15 CREDITS)

Get yourself out there. Digital and social media provide invaluable platforms for showcasing your creative work, creating new and innovative content, and connecting with future employers, agents, and collaborators. In this module, you investigate the potential of both existing and emerging social and multi-media channels, getting hands-on in practical sessions, and gaining key knowledge of the legal aspects of web-based media.

LT206-5-SP
Narrative and Film
(15 CREDITS)

How do films tell their story? What narrative conventions do genre films utilise? How do filmmakers adapt original literature to create new stories? Explore meanings in different film narrative using classic, modernist and postmodern examples. Understand narrative conventions in genre films. Study screen adaptation, the cinematic remake and transmedia storytelling.

LT221-5-FY
Introduction to Screenwriting
(30 CREDITS)

What are the practical aspects of screenwriting? And the theoretical? Explore the construction of a range of screenplays, investigating their shared structural elements. Write your own short films. Produce reports reflecting your understanding of screen writing. Participate in the creative pitching of ideas.

LT227-5-AU
Directing Actors for Film
(15 CREDITS)

Focusing on a number of different approaches to directing, in this module you learn how to work creatively and collaboratively with actors for film. You take inspiration from famous film directors and critically analyse their directing style. You cover the process of directing from start to finish, from script analysis for casting, rehearsals and film production. It involves both theoretical and practice-based sessions, allowing you to study directing in a realistic environment.

LT229-5-FY
On-screen Anti-heroes
(30 CREDITS)

Why are we drawn to the onscreen antihero? Does a film like Joker represent something profound about class status or mental health, or is there something alluring about the character's explicit non-conformity to everyday behaviour? Similarly, why do we play computer games or watch television programmes that challenge societal norms through violence and criminal activity? Does new media technology contribute to the ubiquity of morally questionable characters into new everyday spaces? This module focuses upon the idea of the antihero across screen media, predominantly within film, television and computer gaming. It considers why audiences have and continue to be enticed by the darker side of entertainment and what these figures offer towards wider debates of morality and the representation of mental health onscreen.

LT250-5-AU
Dystopias
(15 CREDITS)

A utopia is an imagined social order in which human flourishing has either been perfected or realised to an exceptionally high degree. A dystopia, by contrast, is a radically dysfunctional society in which the lives of the inhabitants are significantly impaired, damaged, or otherwise undesirable. In this module, we will study nine landmarks from the history of dystopian fiction, beginning in the early twentieth century and ending in the early twenty-first. Topics and issues addressed on the module include, but are not limited to, authoritarianism, surveillance, censorship, consumerism, the culture industry, feminism, Afrofuturism, genetic engineering, cloning, artificial intelligence, and global warming.

LT267-5-SP
Desire in the Age of Enlightenment: Eighteenth Century Literature
(15 CREDITS)

The Enlightenment has often been considered the age of reason, or a period in which thought overcomes earlier forms of superstition or mysticism and develops empirical, scientific modes of seeking out truth. Juxtaposed against the Dark Ages, the Enlightenment would shine a new, penetrating light over all domains of concern. While certainly a time of radical change and rigorous re-examination, this simplified picture obscures a more complicated reality. For in the effort to relegate all forms of unreason to the past, the period witnesses an intense compression of the appetites that generate something of a counter-enlightenment--something like reason's own shadow. This module focuses on how those aspects of human experience resistant to rationalization and economization and calculation emerge in and through a range of artworks in the period after the Restoration (1660) and up to and including first-generation Romanticism (1789-1800). It also puts an emphasis on works by a segment of the population not well represented in the texts typically associated with the Enlightenment: women. Thematically, we concentrate on how desire--visceral, unruly, conflicted--takes aesthetic form. We will analyse artworks in their historical context, which means against the backdrop of scientific, political, and philosophical works central to the Enlightenment.

LT268-5-AU
Gothic Literature
(15 CREDITS)

What compels De Monfort's murderous hate? What tragedy has broken Martha Ray? Why does the Ancient Mariner kill the albatross? At the heart of Gothic literature lies a mystery--one that often remains inexplicable; one that harries, harasses, and haunts characters; and one that drives them, often, to acts of horrible violence. And yet, there is something perversely attractive about this compulsion that licenses desires normally repressed or curbed, desires the existence of which we may not wish even to acknowledge. As a window into the gory crypt of the soul, Gothic literature invades our privacy and makes us squirm in light of what it discovers. To this end, the artworks studied in this module touch on such topics as sexuality, deviancy, monstrosity, madness, and the supernatural. The Gothic revival in England is a late eighteenth-century phenomenon, hence the focus on this time period. We will, however, also reach forward into the 19th, 20th, and 21st centuries to explore some of the Gothic's hideous progeny.

TH211-5-PS
Global Encounters in Theatre and Film
(15 CREDITS)

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