Follow the links below for further information about the research students, their research topics, and further interests.
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Research Topic |
| Ola Abdalkafor |
Gayatri Chakravorty Spivak's Reading of: Jane Eyre, Wide
Sargasso Sea, Frankenstein and Foe
|
|
Fahmida Akhter |
War-based Films of Bangladesh: The Representation and Role of Women |
| Rizwan Akhtar |
Postcolonial Literature - female representations of Anita Desai |
|
Wafaa Alfares |
A Comparative Study: The Role of Gender in Social Change |
|
Katya Alkhateeb |
|
| Huda Al-Matrafi |
The Negative Image of the Fictional Arab Woman in Late Twentieth-Century Arab-American Novels |
|
Rasha Alshalabi |
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| Saul Andreetti |
The Labyrinthine Quest of Fantastic Literature: a Study of Michael Ende and
Jacques Attali |
| Amal Audeh |
Elizabethan Revenge Tragedy: Anger Personified
|
| Alaa Barhoom |
The Presentation of Women in Henry James |
|
Katie Bowkett |
The Seventh Art: Exploring the Cinematic in the Work of Virginia Woolf |
| Vivienne Brough |
Legacies: The Affects of Ekstasis in International Surrealist Practice |
|
Sarah Casey Benyahia |
The Representation of Memory and Time in Contemporary Cinema with particular
reference to Crime Film |
|
Elisabeth Collier |
Disability,
Disfigurement, Deformity and the Grotesque in the novels of Alice Walker and
Toni Morrison
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|
Suzanne Conway |
The Language of Consolation in Louis MacNeice, Ted Hughes, Philip Larkin and
Hugo Williams: a Critical and Creative Exploration |
| Keith Currie |
Georges Bataille: Excremental Philosopher or Invaluable Literary Theorist |
| Maria Dalamitrou |
Modern Poetry and the Necessity of Distance: T.S. Eliot |
|
Philippa Dandy |
Emily Dickinson's Poetry |
|
Mahmoud Darraj |
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| Ben Dooley |
European Filmmakers of the 1930s and 1940s |
|
Stephanie Driver |
Oulipo and Beyond: Computer Aided Constrained Writing |
|
Laurel Eberle |
Paramen, Pistarkles, and Poppyshows: Stories of Madness, Resistance, and
Community in the British and American Virgin Islands |
| Yara El-Masry |
'Terrorism': A Rhetoric of Alienation in Contemporary Literature |
|
Hazem Fadel |
Re/Writing Cities: Contested Postmodernism and Space/Place Imperative in the
Arab World |
| Rouba Farah |
Child Abuse in Nineteenth and Twentieth-Century Drama |
| Andrew Flory |
British Travel Writing and Central Asia, 1930 to the Present |
|
Ros Green |
Grand Masters and Memory Bearers |
|
Adam Hailes |
Pleasure in the Shakespearean Playhouse |
|
Iman Hami |
Female Homosociality in Alice Walker's Novels |
|
Paul Harper |
The
Story Less Told: Representation by Female Authors of the American Poor White
Working-Class in the Literature of the Inter-War Years
|
|
Gael Harvey |
Interfaces: The Politics and Poetics of Feminist Montage
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|
Boshra Hasan |
Robert Lowell, Sylvia Plath and Anne Sexton: A Comparative and
Contrastive Study of Confessionalism |
|
Kishi Hiba |
|
| Teri Hill |
A study of the creation and re-creation of a "new self" at the expense
of the characters' "true self" in the works of Alexandre Dumas and F. Scott
Fitzgerald |
|
William Houston |
Angelo Lewis: The Invention of Professor Hoffmann and Modern Magic |
|
Hsiao-Hsien Hsu |
A Study of Aspects of World and Soul in Philip Pullman's His Dark
Materials Trilogy |
|
Sarah Ives |
Sylvia Plath and Cold War Paranoia |
| James Jarrett |
Text as Fantasy: Pinter, Freud and the Primal Crime |
| Joanna Johnson |
Caribbean Writers and the English Landscape |
| William Kingsbury |
The Contested Textual Geography of Afghanistan |
| Dennis Lewis |
The Work of W. H. Auden and Derek Walcott |
|
Catherine Luther |
|
|
Natasha Mansfield |
Existence in Conflict: “Quiet Trauma” in Contemporary Fiction(s) of
the Middle East
|
|
Richard McGuire |
Positioned Histories, Confluent Worlds: Seven Comparative Case Studies
of Irish and Caribbean Novels in English, 1922 - 1970 |
|
Christopher Nawrat |
|
|
Tammy Overstreet |
Train: a Modern-Day Southern Gothic Tragedy |
|
Sana Pervaiz |
Distorted Minds and Possessed Bodies: Women in Extreme World Horror Cinema |
| Ben Pestell |
Fear, justice and political expediency in the Oresteia of
Aeschylus |
|
Patricia Porumbel |
A cinema of Fantastic Voyaging: The Viewer Transported
|
|
Sawsan Qashgari |
Falkner and the representation of women |
| Sobia Quazi |
Absence and the Spectral Figure in Gothic Literature and Film |
|
Emma-Louise Rabey |
An Exploration of Racial Passing in US Literature |
| Chiara
Reghellin |
The daimonic in C. G. Jung and W. B. Yeats: search for meaning and wholeness
|
| Emma Saggers |
Carnivalesque Inversion: The Subversive Fiction of Kurt Vonnegut |
|
Nesreen Salem |
Resurrecting Scheherazade: A Study of Misogyny, Patriarchy and Feminism in
the tales of Arabian Nights |
|
Barney Samson |
Within/Without: Representations of Islands on the Page, Stage and Screen |
|
Stephanie Savva |
"Enosis and only Enosis" A writer's reflections on the cultures of
nationalism in Cyprus 1955-1959 |
|
Laura Sedgwick |
Haunted Spaces in
Contemporary Horror Cinema: Set Designs and the Gothic
|
|
Sean Seeger |
"History is a nightmare from which I am trying to awake":
Homer-Joyce-Walcott
|
| Rosella Simonari |
Relationship Between Dance and Culture in Martha Graham's Letter to
the World
|
|
James Stannard |
|
| Anthony Tackling |
Time, Place and Space: A Comparison of Pound's Cantos, Williams' Paterson and Olson's Maximus |
|
Kalyani Temmink |
Home Flight: A Study of Text, the Tradition of Home, and the Reader's Journey |
|
Ian Tucker |
|
| Muhramalnessa Turkistani |
From
Fragmentation to Integration: Schizophrenia, Dreams, and Reintegrative
Strategies in Selected Novels by
Doris Lessing. |
| Mariya Ustymenko |
American Women Poets and the Quest for Self-Identity |
| Heidi Wilkins |
Talkies, Road Movies and Chick Flicks: An Analysis of Sound and Gender in
American Mainstream Cinema 1930-2012
|
| Anthony Wood |
The psychological dynamics of power and loss in the mythic chronotope of
J. R. R. Tolkien's Middle-earth |
| Penny Woollard |
Derek Walcott's Americas |